How to Remove Eye Bags and Dark Circles in After Effects Using Motion Tracking and Rotoscoping
- Drag video clip with eye bags and dark circles to the new composition button to create a new composition.
- Double-click the clip layer on the timeline.
- Press H to activate the Hand tool.
- Position the image in the monitor, so we can see the eyes well.
- Motion Tracking…
- Go to the main menu, and select Window > Tracker to open the Tracker panel.
- In the timeline, drag the playhead to the start of the clip.
- Inside Tracker panel, click Track Motion button.
- Inside the preview monitor, drag the track point to the eye.
- Expand the outer box (search region) to the whole eye and eye bag.
- Expand the inner box (feature region) to include all of the eye pupil.
- The plus in the centre is the Attach point.
- Inside the tracker panel, click the play button (analyse forward).
- Observe and wait for the analysis progress.
- Go to main menu, and select Layer > Solid to create an adjustment layer.
- In the Solid Settings window, make a white solid layer about 200x200 px. Click OK.
- In the Tracker panel, click Edit Target.
- In the Motion Tracker window, choose Layer: White Solid. Click OK.
- In the Tracker panel, click Apply.
- In the Motion Tracker Apply option window, choose Apply Dimensions: X and Y. Click OK.
- Press H to activate Hand tool.
- Position the image in the preview monitor so we can see clearly.
- In the timeline, drag the playhead back to the beginning.
- In the timeline, select both the White Solid layer and the clip layer by pressing shift and clicking.
- Press U to expose all keyframes.
- Rotoscoping…
- In the timeline, turn off the visibility (eye icon) of the White Solid layer.
- Turn on the lock in the video clip layer to lock it while we draw a mask on the white layer.
- Select the White Solid layer on the timeline.
- In the Toolbar, double-click on the polygon mask tool.
- In the monitor draw mask mask. Position and resize it. Leave enough room for feathering.
- Press alt+shift+M to set keyframe for the mask path property.
- In the timeline, drag the playhead to the end of the layer. To set the extreme end of the rotoscope.
- In the monitor, correct the position and size of the mask at the extreme end.
- In the timeline, move the playhead and observe the monitor where the mask is misaligned.
- Adjust to align the mask at misaligned frames. Repeat till done.
- In the timeline, make the White Solid layer an adjustment layer (yin yang icon).
- Turn on the visibility of the White Solid layer.
- In the Effects panel, drag Gaussian Blur and Shadow/Highlights to the adjustment layer.
- Go to the main menu, and select View > Show Layer Controls to turn of the keyframes view in the monitor.
- Go to the Effects Control panel and adjust the effect.
- In the timeline, increase the mask feather to soften the edge of the mask.
- Playback to preview.
- Repeat steps for the other eye.
Adrian Lee
PS: Learn from Adobe TV…
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